【NHK行家本色系列《庵野秀明特辑》 将播出100分钟加长版！】此前，NHK行家本色栏目播出了长达75分钟的「#庵野秀明# 特别节目」，由于观众反响很好，目前官方宣布将播出增加了新内容的100分钟加长版《再见了所有的EVANGELION~ 庵野秀明的1214日》（さようなら全てのエヴァンゲリオン～ 庵野秀明 の１２１４日），加长版将于4月29日播出。
这是一部关于科幻恐怖片《异形2》（1986）的纪录片，制作者由多个异形爱好者团体和个人组成。本片采访到了包括詹姆斯·卡梅隆在内的几乎所有演职人员，深度回顾和探索这部旷世杰作的诞生过程。
An intimate look at the lives of modern circus performers in and out of Cirque Du Soleil. The film follows the stories of several different performers and gives viewers an unprecedented look into their lives and art. A testament to the human spirit and the power of following your dreams it is also and homage to the grace and power of artists who use their bodies as their instruments. Filmed on location in 11 countries and in three languages by a Cirque Du Soleil insider this film transcends a behind the scenes look and creates a powerful and moving work of art.
数百万年前，不可思议的神奇力量将地壳撕扯得支离破碎，由此创造出七个蔚为壮观的大陆。时光荏苒，每个大陆都孕育了别具特色的野生动物。 从郁郁葱葱的南美洲丛林深处到冰雪覆盖的亚洲山峦之巅，从欧洲熙熙攘攘的都市到非洲的广袤平原，《七个世界 一个星球》将开启一次七大洲之旅，呈现匪夷所思的动物行为，讲述鲜为人知的动物故事。我们将探索在这七个世界，丰富多样的生命如何在地球上生长繁衍，同时揭示在人类主导的世界，动物们所面临的不同挑战。
《时光之轮》是沃纳·赫尔佐格拍摄的印度菩提伽耶最大规模的佛教仪式。
We’re going #BehindTheAttraction… figuratively, and literally. Discover more about your favorite #DisneyParks attractions in the Original Series from executive producers Dwayne Johnson, Dany Garcia, and Brian Volk-Weiss. The first five episodes are streaming July 21 on #DisneyPlus.
电影《荞麦疯长》最全幕后
《地平线》栏目帮你发现宠物猫在猫门以外的生活。 这是一个开创性的实验，研究人员给在萨里郡的一个村庄50只猫戴上了标签与GPS项圈，并记录他们的白天黑夜在后院、花园围栏和灌木狩猎和巡逻的行踪。 此片开发了猫对这个世界的独特视野。你以为你足够了解自己的宠物猫？其实他们的秘密生活会让你惊讶。
凭借七枚冬季极限运动会金牌和长达二十年的职业生涯，坦纳·霍尔已成为滑雪运动的偶像和传奇人物。如今，35岁的他决定参加自由式滑雪世界巡回赛；这是一个五站的巡回赛，评判标准是滑雪者在崎岖不平、未经修整的地形上滑行的能力。坦纳从未参加过自由式滑雪比赛，如今他开启了职业生涯的新篇章，努力挑战衰老身体的极限，同时直面过去最黑暗的记忆。
该片讲述鳗鱼神秘的生活轨迹、探索它如何缓慢而强烈地改变着人类体能和智慧；甚至能牵起一个波及全球的产业链条，成为自然平衡与人类生存状况的一个晴雨表。
Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences. Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.
